Got a reminder from reader Dre in PA that I "teased" you on this in my last post and then went radio silent for over a month. Mostly what I have been doing in that time is working on some studio upgrades, and I am preparing a LONG post on that. But in the meantime...
I have taken several Craftsy classes and really enjoy them. The only one where I have actually finished the project is Stupendous Stitching with Carol Ann Waugh. You begin with a piece of stabilized fabric, add couching and stitching and eventually quilt it. Well, I haven't REALLY finished it because I haven't quilted it yet. The class project recommended framing it, but mine will become a giant tote bag. Some day.
|this is probably the most accurate color representation in this blog post.|
Back in January of 2010 I first experimented with snow dyeing, with mixed results. When I first saw the results on this piece, I said to myself "what the heck can I EVER do with that?" It is interesting. Garish. So when I was looking for a piece that needed to be totally altered by massive amounts of stitching, this was the obvious choice.
Most of you know that I am a vintage sewing machine person, but modern machines DO have their place in my heart. I really love decorative stitches, and my modern Janome does dozens of them, and in a maximum 7 mm width. It also does the type of stitches where the machine goes back and forth to create more complex patterns than the vintage cam machines.
When I first bought the machine I made a sewing machine cover that also functions as a stitch encyclopedia. The embroidered panel is a souvenir that BF Amber brought me from China.
I buy tons of tapes, yarns, threads, ribbons, trims, etc. at thrift shops and hoard them. I have accumulated a HUGE hoard of stuff. This gives me lots of choices when project time rolls around. I probably end up spending about the same amount as I would if I went out and bought new stuff for each project, BUT I get MUCH more interesting color combinations.
When you buy new stuff you are at the mercy of the color police. There is a vast conspiracy by the Color Marketing Group to determine what colors you will buy each year: in clothing, in cars, in wall paint, in fabric, and in ribbons and trims. I am not making this up. So when you buy only new stuff, you end up with a project that is flat, boring, and looks like it was made in a factory somewhere. Just my opinion. No one would EVER think that this project was made in a factory somewhere, lol.
The project began with couching, in which you apply yarn, ribbon or trim to the piece by stitching it down. Then I spent many, many deliriously happy hours listening to music and adding decorative stitching to the piece. I pretty much dropped everything else in my life for a week and a half and just did this.
My mother-in-law named the piece "Magma", which I think is very apt. She showed it to her friends. I begged her to stress that this was an experimental piece in which I was practicing some techniques. I doubt if she did because she reported their comments to me. They said the kind of things that polite Southerners do say when they can't think of WHAT to say.
This made me laugh. In a good way. Hey, I know what a weird piece this is, and I am aware of all of its flaws. But I love it. And I don't expect anyone else to love it, or like it, or even want to spend more than two minutes in the same room with it.
One of my favorite moments in quilting came after I had won second place for "most creative" for another experimental piece done for a challenge at my quilt guild. We submitted them anonymously. As I sat back down after accepting the ribbon my friend Jo said "I knew that was yours." I asked her how she knew. "You are the only person here who is THAT far outside the box."